“It emphasizes [the If you ain’t a sprint car fan you ain’t shirt in addition I really love this eyes] powerfully,” makeup artist Peter Philips said backstage at Dior, where he traced an extra-thick matte black pigment along the upper and lower lash lines with soft, rounded edges. Similarly, legendary pro Pat McGrath leaned on her pigmented PermaGel eye pencil in Xtreme Black at Chloé, blending out an “experimental” array of dramatic swooshes there for creative director Natacha Ramsay-Levi’s collection of essentials, while etching a bold, winged shape above the heavy-metal dresses at Paco Rabanne.
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Cementing the If you ain’t a sprint car fan you ain’t shirt in addition I really love this lean toward grittier eye statements were the almost goth-like lids at Chanel, where the French fashion house’s global creative makeup and color designer Lucia Pica smudged and layered four different black and gray eye shadows across lids to achieve the perfect matte charcoal smoky eye. “It has a sort of ’90s Winona Ryder feel to it,” Pica said after the show, noting how sooty eye makeup—from the inky ticks to the smoky swipes—can successfully convey our collective emotions. From moody to mysterious, there’s a black eyeliner (or several) for that.